#Best detune pedal full

When an expression pedal is added, it controls the Pitch knob.ĮarthQuaker also makes another polyphonic pitch pedal called Arpanoid.

That’s kind of the point, though, so use it as you would a boost for a lead passage. This is separately selectable with the Magic footswitch in case you don’t want that sort of thing. This knob reads the positions of the other knobs and sets off out-of-control effects based on those parameters.

#Best detune pedal full

Tone starts a full signal fully clockwise and rolls off the highs turning back. Tracking determines the amount of time between the dry signal and the wet shifted signal. Secondary is an octave from the Primary shift, with one octave below fully counter-clockwise to one octave above fully clockwise. Primary controls the volume of the pitch shifted signal, with unity around 2 o’clock, boosting above that. It’s fundamentally a chorus pedal, but it quickly becomes much more than that.Ĭontrols include Pitch, which ranges from a 4th down to a 3rd up. This isn’t for controlled pitch bends or detuning, this is for setting your guitar free. This is one of EarthQuaker Device’s stand out pedals, as it is made for truly unique sounds and (relatively) beautiful chaos. If, however, you want your pitch to be shifted in a bizarre, even uncontrollable way, this is the pedal for you. They’ll give you what you want (eventually, after some time re-familiarizing yourself with intervals). Those first two options are very good pitch shifters. Range: Three octaves above to three octaves below.With some luck, you should be able to find a used example on Reverb for somewhere around $50 less than new. The lengthy Andertons Music demo should tell you all you need to know about this pedal.

This is a fairly robust option in a small package and would be a good alternative if you find the tracking on other pitch shifters to have latency issues. Depending on which you’re using, this will mean that your expression pedal is controlling the pitch shift or the glissando. The Latch switch can change the footswitch to momentary mode. The small switch on the front chooses whether you’re transposing up, down or dual, which is both at once. The Shift knob controls the pitch, from with 11 positions including the 17-cent shifted Detune, Minor 2nd to Minor 7th, and three octaves. Still, the tracking on this is quite good, with only a few millisecond delay that all but fades under heavy drive.Ĭontrols include a Blend knob so you can always control how much of your original signal appears along side the pitch shifted note. Though the range is similar, this one doesn’t have the nifty LED readout that the Ricochet does, if that’s something that interests you. It more specifically competes with the Ricochet model, given its small footprint and lack of included expression pedal. Range: Two octaves above to three octaves belowĮlectro-Harmonix have never let themselves be left out of any pedal game, and released the Pitch Fork to aim for Whammy territory.With so many versions over the years, you should have no trouble finding a used one on Reverb, but be forewarned that the earlier models are becoming collectible and can sometimes go for more money than new. The Bax Music demo serves as a nice introduction to this pedal that hardly needs one. It’s a choose-your-own-adventure of Whammy effects. The drop tune function is available in the standalone DigiTech DROP, while you can now get all the Whammy-style fun from the much more compact Whammy Ricochet. The Whammy DT adds both drop tune setting and a momentary switch. There are now a handful of Whammy-related pedals with varying functions. Of course, DigiTech haven’t left it up to just modifying one unit. A midi port allows you to remotely control the Whammy. The rotary knob lets you choose your harmony, which also includes a new Detune setting. You also get a switch to choose between Classic style and Chords, which is where the polyphonic capabilities come into play. If you’re looking for that certain Whammy sound, there’s still no better alternative than going to the source.įor controls, you get, of course, the built-in expression pedal. The Whammy currently available is the fifth version, which is also the first with polyphonic tracking and true bypass. A version of the pedal that started it all. Might as well start where it all started.